Germaine Acogny, regarded as "the mother of contemporary African dance" worldwide, is one of the best-known figures on the African dance scene, particularly in the field of teaching and developing dance in Africa.
Senegalese and French, she participated from 1962 till 1965 at the formation at Simon Siegel’s school (the director was Ms Marguerite Lamotte) in Paris and received a diploma in physical education and harmonious gymnastics. Then, she founded her first dance studio in Dakar, 1968. Thanks to the influence of the dances she had inherited from her grandmother, a Yoruba priest, and to her studies of traditional African dances and Occidental dances (classic, modern) in Paris and New York, Germaine Acogny created her own technique of Modern African Dance and is considered to be the “mother of Contemporary African dance”.
Between 1977 and 1982 she was the artistic director of MUDRA AFRIQUE (Dakar), created by Maurice Béjart and the Senegalese president and poet Leopold Sedar Senghor.
In 1980, she wrote her first book entitled “African Dance”, edited in three languages.
Once Mudra Afrique had closed, she moved to Brussels to work with Maurice Béjart’s company, where she organised international African dance workshops, which showed great success among the European students. This same experience was repeated in Africa, in Fanghoumé, a small village in Casamance, in the south of Senegal. People from Europe and all over the world travelled to this place. She has thus become a true emissary of African dance and culture.
In 1985, with her husband Helmut Vogt, she founded the "Studio-Ecole-Ballet-Théâtre du 3è Monde" in Toulouse, France.
In 1997, Germaine Acogny became Artistic Director of the “Dance section of Afrique en Creations” in Paris, a position she held until September 2000. During this time, she was responsible for the Contemporary African Dance Competition, an important platform for young African choreographers.
Toujours avec son mari, elle crée au Sénégal le Centre International des Danses Africaines Traditionnelles et Contemporaines, l’École des Sables, inaugurée en 2004. En parallèle et dès 1998, des ateliers professionnels de trois mois pour danseurs et chorégraphes africains sont organisés chaque année. Une quarantaine de danseurs venus de toute l'Afrique se sont rencontrés, ont échangé et travaillé ensemble à chaque fois.
Since 1998, Germaine Acogny has regularly created solos for herself and, since 2004, choreographies for her company JANT-BI, which tours successfully throughout the world.
In 2005, she was also invited to be a regent at UCLA (University of Los Angeles).
history